Pier 17

On Lower Manhattan’s East waterfront, the Howard Hughes Corporation’s new Pier 17 stands as a prominent marker of the revitalized Seaport District NYC. Designed by SHoP, the four-story building, clad largely in glass, offers significant new retail and restaurant space, and is home to ESPN’s new live broadcast studios. The building features a 1.5 acre activated rooftop that will serve as a year-round community amenity, including a restaurant, outdoor bars and a venue to host concerts and events during the warmer months of the year.


Celebrating the new hub of public activity in a previously forgotten part of the city, L’Observatoire International created the lighting design for the facade, roof spaces, and all interior and exterior public spaces. The customizable scheme follows an annual and daily schedule to highlight the lunar cycle and feature special events and holidays throughout the year.


On the exterior of the building, the lighting is integrated into the reinforced glass facade that can be programmed with a single scheme or can be animated for a dynamic display.


This lightshow can in turn be linked to the illumination of the building as a whole, transforming the entire glass structure into a glowing lantern, a luminous beacon for this new commercial and cultural destination.


The radiating jewel box emits energy and excitement to the surrounding neighborhood and becomes an inviting new gateway on the skyline, visible from across the water and connecting the Manhattan and Brooklyn waterfronts.

Location New York, New York, USA
Date Completed 2018
Architect SHoP Architects
Client The Howard Hughes Corporation
Type Mixed Use Retail + Galleries Exterior + Landscapes
size300,000 ft2 / 28,000 m2
Status Built

L'Observatoire Intl Team
Principal Hervé Descottes
Project Leader Carlos Garcia
Project Team Ellisrael Daing Esteban Varas Jeff Taylor Mikael Charpin Papon Kasettratat
Awards Best of Year Interior Design Award Finalist , 2018
Press Architectural Record, Mar 2018
Metropolis, Nov 2018
LD+A, Sep 2019
Photo Credits C. Taylor Crothers